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- 2010 Screenwriting Challenge Party! Save The Date!
- Challenge Check In #2: What To Do When It's Just Not Coming
- Screenwriting Challenge Check In #1
- Power Your Plot: With These Vital Structural Elements
- 2010 Screenwriting Challenge
- Is Your Character An Adjective or a Verb?
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Tag Archives: screen play
Challenge Check In #2: What To Do When It's Just Not Coming
We’re now more than halfway through the 2010 Screenwriting Challenge. For those of you who are still writing every day, congratulations! You’re taking a giant step toward becoming the writer you want to be.
But what if you’re struggling? What if your writing schedule is spotty or uneven? What if there were [...]
Posted in Newsletters, articles Also tagged 7 act structure, film structure, film writing, how to write a screenplay, how to write a script, Jacob Krueger, learn to write a screenplay, movie writing, movies, New York, New York City, plot, procrastination, screenplay structure, screenplay writing classes, Screenwriting Challenge, screenwriting courses, Write Your Screenplay, writer's block, writing structure Comments closed
Screenwriting Challenge Check In #1
We’re now nearly 11 days into the 2010 Screenwriting Challenge, and the response has been tremendous. I’ve heard from so many of you, expressing the excitement of those who are enjoying the challenge, as well as the questions of those who are struggling with it.
Here are some of the common questions that tend to [...]
Posted in Newsletters, articles Also tagged film writing, how to write a screenplay, how to write a script, learn to write a screenplay, movie writing, movies, New York, New York City, plot, screen play structure, screen writing, screen writing courses, screen writing workshops, screenplay structure, screenplay writing classes, screenplay writing workshops, Screenwriter's Mind, screenwriting classes, script classes, script structure, Write Your Screenplay, writer's block Comments closed
Power Your Plot: With These Vital Structural Elements
POWER YOUR PLOT
With These Vital Structural Elements
With 2009 just ending and a New Year beginning, I thought it would be a good time to talk about completions.
Not just the kind of completions you make in your life. The kinds of completions you make in your scenes.
Completions are the single most important element in distinguishing [...]
Posted in Newsletters Also tagged 7 act structure, Completions, Ewan McGregor, film structure, how to write a screenplay, how to write a script, Jacob Krueger, learn to write a screenplay, movie writing, movies, New York, New York City, plot, screen play structure, screen writing, screen writing classes, screen writing courses, screenplay structure, screenplay writing classes, screenplay writing workshops, Screenwriter's Mind, screenwriting classes, screenwriting courses, screenwriting workshops, script courses, script structure, seven act structure, Structure, Trainspotting, Write Your Screenplay, writer's block, writing structure Comments closed
2010 Screenwriting Challenge
Begin Your New Year WRITE! With Jacob Krueger’s 2nd Annual
2010 SCREENWRITING CHALLENGE
Why The Challenge?
Let’s face it, the holidays are a brutal time for writers.
We all do our best writing when we get into a rhythm. But during the holiday season that rhythm can be impossible to maintain. Schedules get jammed with Christmas parties, gifts to [...]
Posted in Newsletters Also tagged 7 act structure, film structure, film writing, films, how to write a screenplay, how to write a script, Jacob Krueger, learn to write a screenplay, movie writing, movies, New York, New York City, plot, procrastination, screen play structure, screen writing, screen writing workshops, screenplay structure, screenplay writing classes, screenplay writing courses, Screenwriter's Mind, Screenwriting Challenge, screenwriting courses, screenwriting workshops, Script Analysis, script classes, script courses, script structure, seven act structure, three act structure, Write Your Screenplay, writer's block, writing structure Comments closed
Is Your Character An Adjective or a Verb?
It's no wonder that some of the greatest writers began their careers as actors.
The art of writing and acting have always been profoundly intertwined. That's because structurally, movies grow out of character. And character is the thing that actors understand best.
So what is character from an actor's perspective? And how can that help you as a writer?
Posted in Newsletters Also tagged 7 act structure, acting, acting classes, acting exercises, acting for directors, acting for non actors, acting for producers, acting for writers, character, dialogue, film structure, film writing, how to write a screenplay, how to write a script, learn to write a screenplay, movie writing, movies, objective, plot, screen play structure, screen writing classes, screen writing courses, screen writing workshops, screenplay writing classes, screenplay writing workshops, Screenwriter's Mind, screenwriting classes, screenwriting courses, script classes, script courses, seven act structure, superobjective, writing structure Comments closed
Got an issue with Robert McKee? Me too.
Don't throw away the baby with the bath-water. As with any screenwriting book, there are some good things to be discovered in Robert McKee's "Story". But there's also a lot that can be misleading, confusing or even just plain wrong. And for young writers who take his words as gospel, McKee can pose a real danger to finding your voice, truly understanding your character, and discovering the organic structure of your screenplay.
I believe that a big part of that is because McKee teaches screenwriting from a critic's perspective, rather than that of a writer...
Posted in articles Also tagged film structure, genre, horror movies, how to write a screenplay, how to write a script, learn to write a screenplay, movie writing, movies, robert mcKee, screen play structure, screen writing classes, screen writing courses, screen writing workshops, screenplay writing classes, screenplay writing workshops, Screenwriter's Mind, screenwriting classes, script classes, story Comments closed
Wild Thoughts About WILD THINGS
Script Analysis: WHERE THE WILD THINGS ARE
SPOILER ALERT: If you haven't yet seen Where The Wild Things Are, you may want to check it out before you read this article.
Let's set aside the question right now of whether or not Where The Wild Things Are is a good movie. Let's set aside the question of whether you liked it or not (or were a little bit embarrassed for liking it as much as you did).
And if you feel like you wasted your twelve bucks on a movie in which essentially nothing happens, let's set that aside too.
Love it or hate it, Wild Things is a movie worth studying, because of the bold and unique ways it is structured to reflect its authors' premise, both in its most wonderful, and its most problematic elements.
PREMISE? WHAT PREMISE?
Wild things is governed by a simple idea-- or at least a strong suggestion-- that we are seeing the whole world through the perspective of a young boy-- as he works out his rage over his isolated life (and more importantly, his parents divorce) by playing with a bunch of stuffed animals in his room.
The writer-director team of Jonze & Eggers make a very strong (and very risky) decision that nothing in the world of the Wild Things is going to exist outside what a boy Max's age could reasonably imagine. This is embodied in every element of the film:
Posted in Script Analysis Also tagged 7 act structure, Archetypes, Emotional Structure, film structure, film writing, how to write a screenplay, Jacob Krueger, learn to write a screenplay, movies, plot, screenplay structure, screenplay writing classes, screenplay writing workshops, Screenwriter's Mind, script classes, Symbolic Structure, Symbolism, Where The Wild Things Are Comments closed
The Writer's Most Dangerous Desire
It may be hard to tell from some of the stuff you see coming out of Hollywood, but believe it or not, no one sets out to be a mediocre writer.
No writer dreams of writing that crappy screenplay with the unintelligible plot. No writer fantasizes about creating paper thin characters, canned dialogue, or predictable plot points.
As writers, we share a common desire: we want to write great scripts, fascinating characters, brilliant dialogue, and breathtaking stories that catch people and won't let them go. We want to say something that matters to us, have our voices heard, and create the kind of movies we grew up loving.
All writers want to be great writers.
Unfortunately, for many writers this need to create something great is actually the biggest obstacle to their writing...
Posted in Newsletters Also tagged 7 act structure, film structure, film writing, films, how to write a screenplay, how to write a script, Jacob Krueger, learn to write a screenplay, movie writing, movies, New York, plot, procrastination, screen play structure, screen writing, screen writing classes, screen writing courses, screen writing workshops, screenplay structure, screenplay writing classes, screenplay writing workshops, Screenwriter's Mind, screenwriting classes, screenwriting courses, screenwriting workshops, script classes, script courses, seven act structure, writer's block, writing structure Comments closed
Final Challenge Check In